- 100+ year colour guarantee;
- Professional colour management systems and processes;
- 12-colour Giclée fine art printers providing richest possible colour densities;
- Museum quality process and archival materials; and
- Identical process, materials and partners used by many famous artists, photographers and museums.
Printed on : Fine art paperA premium-quality heavyweight fine art paper with a fine, gently textured surface. This 200gsm museum-quality paper is extremely consistent and works perfectly with large, full colour graphics or illustrations. The matte finish emphasises different highlights and tones in the source artworks; helping to create stunning works of art. Sourced exclusively from Hahnemühle, the world’s most famous papermaker, our fine art paper provides exceptional tonality and renders sharp details with a consistent flatness. All papers are designed for archival storage and are acid-free, making them highly resistant to ageing. The paper is also lignin-free, ensuring it will not yellow with age. Our papers are independently tested to be light resistant for at least 100 years.
Our partners exclusively use original and official UV (pigment based) inks ensuring each print faithfully reproduces the tone, temperature and colour of the original image. UV inks contain enhanced light stabilisers; offering far more durability than dye-based inks; protecting the vibrancy of your prints for over 100 years in ideal conditions.
All prints across the world are produced to the same exacting standards, using the same high-quality processes and materials.
Our manufacturing partners use professional colour management to ensure consistency and quality of reproduction.
Colour management involves the constant calibration of printers, monitors, scanners and software to ensure the colour of our prints precisely matches the previews you get from the website.
Colour management is one of our core principles and helps guarantee you will always receive the best quality prints possible.
Picture frame / Picture moulding
Created from high-quality wood, milled with simple clean lines and presented with a satin finish. The frame has a square, modern profile which works well in both contemporary and traditional environments.
Plexiglass provides increased UV protection, is extremely robust and offers less glare than float glass.
Mounts / matts
All mounts are ‘conservation’ grade, FSC certified, 100% acid free, and will not discolour or fade with age.
Each framed print is individually handmade by specialist picture framers.
We cut frames using a traditional Morsø guillotine (a machine and process dating back over a hundred years) or with an automatic saw for volume production. Mounts are precision cut on a Swiss-engineered computerised matt (mount) cutting machine (CMC) with glass and perspex handled safely by hand.
All framed prints are delivered ready for hanging directly on your walls.